Rode M5 Compact 1/2″ Condenser Microphone Matched Pair

Ideal for studio recording and live on stage, the rode m5-mp Matched Pair Cardioid Condenser Microphones is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. Acoustic Principle: Pressure Gradient.

. A result of many years’ experience building the award-winning NT5 microphone, RODE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones.

The m5 is finished with rode’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts. A premium foiled certificate is supplied to verify the authenticity of the pair. Polar Pattern: Carded. Frequency range: 20Hz - 20kHz. Warranty: 1 year with free extension to 10 years following registration.

Designed and made in australia, the M5 is a compact 1/2" cardioid condenser microphone with low noise and a full frequency response.

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K & M Microphone Bar

Microphone bar connects to the top of mic stands for holding 2 microphones or boom arms. 5/8" locking screws, adjustable from 2. 3" to 6. 7".


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Rode SB20 Stereo Array Spacing Bar Microphone Mount

The 5/8" mounting threads are supplied with accompanying spacing clips to allow for easy positioning for stacked arrays, and the robust ABS construction makes the Stereo Bar stable and durable, allowing it to easily support the weight of two large diaphragm microphones such as the Rode K2. Note: mics are not included.

Features angle and measurement indicators for ORTF and XY positioning. Connects to the top of mic stands for holding 2 microphones or boom arms. 5/8" locking screws, adjustable from 2. 3" to 6. 7". 20cm stereo array spacing bar. Robust solution for mounting two microphones in a stereo array.


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On Stage Stands MS7701B Tripod Boom Microphone Stand

Euro-style boom with separate clutches for length and angle of boom. Solid cast end with standard 5/8-27 threads. Long 36inch boom with molded plastic counterweight. Euro-style boom with separate clutches for length and angle of boom. Allows user to make one-handed adjustments of boom angle while performing. Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 to 63 inches.

Clip-on cable holder. One of the most popular microphone stands in the world, the MS7701B is designed to go wherever your music takes you. On stage 7701b tripod microphone boom Stand Features and Specifications Solid cast end with standard 5/8-27 threads. Setup height is adjustable from 36 to 63 inches. Long 30 inch boom with molded plastic counterweight.

Also features a cast steel mid-point clutch. Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 to 63 inches. Folding legs with plastic endcaps for durability and reduced floor vibration. Base spread: 23 inches our best selling stand! This Euro Boom boasts hybrid sheet metal and high-impact plastic leg housing making it unbreakable.

These stands use the highest quality components. Allows user to make one-handed adjustments of boom angle while performing.


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Samson MB1 Mini Boom Stand

The ideal low profile boom stand for making drums, speakers and anything close to the floor. Allows user to make one-handed adjustments of boom angle while performing. Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 to 63 inches. Clip-on cable holder. Connects to the top of mic stands for holding 2 microphones or boom arms.

5/8" locking screws, adjustable from 2. 3" to 6. 7". 20cm stereo array spacing bar. Features angle and measurement indicators for ORTF and XY positioning. Solid cast end with standard 5/8-27 threads. Long 36inch boom with molded plastic counterweight. Euro-style boom with separate clutches for length and angle of boom.

Robust solution for mounting two microphones in a stereo array.


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Shure SM57-LC Cardioid Dynamic Microphone

In small clubs and 100, 000 seat stadiums. Not surprising. Professional-quality reproduction for drum, precussion, and instrument amplifier miking. The shure sm57 is a fixture in the music business. Frequency response 40 to 15, 000 Hz. Robust solution for mounting two microphones in a stereo array. Solid cast end with standard 5/8-27 threads.

Long 36inch boom with molded plastic counterweight. Euro-style boom with separate clutches for length and angle of boom. Which is why it's used by any serious musician or recording professional. The sm57 features a uniform cardioid pick-up pattern that isolates the main sound source and minimizes background noise.

Allows user to make one-handed adjustments of boom angle while performing. Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 to 63 inches. Clip-on cable holder. In fact, you'll probably find it in more studios than any other mic. You see it everywhere. Contoured frequency response is clean, instrumental reproduction and rich vocal pickup.

What you may not have seen are the thousands of SM57s at work behind the scenes in professional recording studios around the world.


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Samson MK-10 Microphone Boom Stand

Solid cast end with standard 5/8-27 threads. Long 36inch boom with molded plastic counterweight. Euro-style boom with separate clutches for length and angle of boom. Uniform cardioid pickup pattern isolates the main source while reducing background noise. Sleek black finish. Collapsible tripod boom stand. Contoured frequency response is clean, instrumental reproduction and rich vocal pickup.

It comes a very small package that folds up easily for transport anywhere you need it. Allows user to make one-handed adjustments of boom angle while performing. Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 to 63 inches. Clip-on cable holder. Frequency response 40 to 15, 000 Hz.

Connects to the top of mic stands for holding 2 microphones or boom arms. 5/8" locking screws, adjustable from 2. 3" to 6. 7". 20cm stereo array spacing bar. Extremely durable under heaviest use.


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Shure DMK57-52 Drum Microphone Kit

Sleek black finish. Sturdy steel construction. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up. Shure's a56d universal drum mounting system can be used to position microphones virtually anywhere - on drum rims, and can be used with any standard microphone, secure, even cymbal stands.

Ultra-light for easy transport. The drum mic kit includes three sm57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a lightweight, durable carrying case. Includes mic clip. Contoured frequency response is clean, instrumental reproduction and rich vocal pickup. The dmk57-52 drum mic kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price.

Frequency response 40 to 15, 000 Hz. Designed with captive parts to prevent the loss of individual pieces, microphone stands, the A56D is small, making it a great tool for both stage and studio environments. Top quality microphones and an affordable price makes the Drum Mic Kit an exceptional value for the performing drummer.

Suggested applications: Kick Drum, Snare Drums, Rack/Floor Toms. Professional-quality reproduction for drum, precussion, and instrument amplifier miking. Extremely durable under heaviest use.


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K & M Microphone Stand with Telescopic Boom Arm

Adjustable height from 35-1/2-Inch to 63-1/8-Inch. Professional-quality reproduction for drum, precussion, and instrument amplifier miking. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, microphone stands, making it a great tool for both stage and studio environments.

Top quality microphones and an affordable price makes the Drum Mic Kit an exceptional value for the performing drummer. Suggested applications: Kick Drum, Snare Drums, Rack/Floor Toms. The industry standard; professional tripod mic stand with telescopic boom. Ultra-light for easy transport. Zinc die-cast Base & Swiss Steel Construction.

Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up. Shure's a56d universal drum mounting system can be used to position microphones virtually anywhere - on drum rims, secure, and can be used with any standard microphone, even cymbal stands.

Robust solution for mounting two microphones in a stereo array. Uniform cardioid pickup pattern isolates the main source while reducing background noise. The industry standard for snare drum, shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, and a reliable and high-performing choice for toms, while reproducing sound accurately.

Perfect for the kick drum, the supercardioid beta 52a derives its low-end punch and sonic presence from a carefully tailored frequency response.


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CBI MLC20 Low Z XLR Microphone Cable, 20 Foot

Excellent Price, 20 Foot. Complete with a 90-day warranty. Robust solution for mounting two microphones in a stereo array. Allows user to make one-handed adjustments of boom angle while performing. Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 to 63 inches. Clip-on cable holder.

Adjustable height from 35-1/2-Inch to 63-1/8-Inch. Zinc die-cast Base & Swiss Steel Construction. Collapsible tripod boom stand. Professional-quality reproduction for drum, precussion, and instrument amplifier miking. Sleek black finish. It's compatible with any XLR connection-microphones, mixers, recorders. Includes mic clip.

It's easy to transport and is backed with a 5-year warranty! Built to Last. High quality xLR Male and Female Connectors. Contoured frequency response is clean, instrumental reproduction and rich vocal pickup. Extremely durable under heaviest use.


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Sennheiser e602 II Evolution Series Dynamic Bass-drum Microphone

The industry standard; professional tripod mic stand with telescopic boom. Features angle and measurement indicators for ORTF and XY positioning. Sturdy steel construction. Solid cast end with standard 5/8-27 threads. Long 36inch boom with molded plastic counterweight. Euro-style boom with separate clutches for length and angle of boom.

Includes mic clip. Designed with captive parts to prevent the loss of individual pieces, microphone stands, the A56D is small, making it a great tool for both stage and studio environments. Top quality microphones and an affordable price makes the Drum Mic Kit an exceptional value for the performing drummer.

Suggested applications: Kick Drum, Snare Drums, Rack/Floor Toms. 10 year warranty. Robust solution for mounting two microphones in a stereo array. Adjustable height from 35-1/2-Inch to 63-1/8-Inch. Collapsible tripod boom stand. Light with ease to position on a boom stand for mic'ing a kick drum. Contoured frequency response is clean, instrumental reproduction and rich vocal pickup.

Excellent Price, 20 Foot.


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